Antiphona Pneumatica // for monoctone and organ - Jarek Kordaczuk
Polish organ music, organ accompaniment with solo instrument, church music, organ concert, concert in the church, monoctone in the church, the musician in the cathedral. Instumental electronics in the church, electronic music and pneumatic organ, electromechanical organ. Experimental concert in the church. Antiphon instrumental - monoctone and bodies. Antiphon electronic for prototypical musical instrument. Score for organ and monoctone - graphical score, graphical music notation. Experimental music and graphic music notation.

Antiphona Pneumatica Antiphona Pneumatica na monoctone i organy monoctone Jarek Kordaczuk organ Anna Dramowicz commission: Olsztyn Organ Concerts The Piece Antiphona Pneumatica for monoctone and organThe piece is dedicated to my organist friend Anna Dramowicz. The first performance we made together in August 2015 as part of the festival of Olsztyn Organ Concerts organized by the City Cultural Centre in Olsztyn.Writing Antiphona Pneumatica I wanted in the most intense way to use a wide range of organ registers. Therefore, it is recommended to perform the piece on the organ with programmable registers change. In the part of monoctone besides synthetic generators (oscillators) appear electromechanical (motors) and acoustic (bubbling water and the air stream) sounds. The monoctone itself is not a necessary element in the piece. I can imagine the use of other device to control the triggering and processing of sounds - a computer, for instance. It would be interesting also to perform part of monoctone by an acoustic instrument or even group of instruments. The means used in the piece are reflected in the shape of the score. While the organ part is mostly based on the traditional notation, the monoctone part is written entirely graphically.-------------------------First performanceOlsztyn Organ ConcertsAugust 30, 2015, Olsztynmonoctone Jarek Kordaczukorgany Anna Dramowicz   Sonokinetic Incident Factory Izabela Kościesza Sonokinetic works Małgosia Wawruk Sensor matrix Experimental music Installations Coral music Solo pieces Improvised music Acousmatic music Electronic Music Monoctone Pieces for children Jarek Kordaczuk mp3 Dark Energy Agnieszka Kołodyńska Pantomime Electroacoustic music Vocal-instrumental music Instrumental Music Musical interpretations of fairy tales Compositions Adam Smoczyński Sacred Music EWI ProForma Theatrical music Jan Brzechwa Julian Tuwim Sebastian Wypych Poetic song Sung poetry Jarosław Kordaczuk Arrangements Videoclips Animations Titelituralia Onomatopeic compositions Theatre of Sound A Room Full of Fairy Tales Children's Art Centre Cezary Konrad Krzysztof Herdzin Basia Raduszkiewicz Music for children

Polski
Jarek Kordaczuk
All projects
All projects
Children's Art CentreInstrumental Music
MonoctoneVocal-instrumental music
Musical interpretations of fairy talesTheatrical music
Acousmatic musicPoetic song
Music for childrenTheatre of Sound
Experimental musicPieces for children
Electroacoustic musicOnomatopeic compositions
Improvised musicSonokinetic works

Antiphona Pneumatica

Antiphona Pneumatica
na monoctone i organy

monoctone Jarek Kordaczuk
organ Anna Dramowicz

commission: Olsztyn Organ Concerts


Antiphona Pneumatica
Antiphona Pneumatica for monoctone and organ

monoctone Jarek Kordaczuk
organ Anna Dramowicz

Antiphona Pneumatica
for monoctone and organ

The piece is dedicated to my organist friend Anna Dramowicz. The first performance we made together in August 2015 as part of the festival of Olsztyn Organ Concerts organized by the City Cultural Centre in Olsztyn.
Writing Antiphona Pneumatica I wanted in the most intense way to use a wide range of organ registers. Therefore, it is recommended to perform the piece on the organ with programmable registers change. In the part of monoctone besides synthetic generators (oscillators) appear electromechanical (motors) and acoustic (bubbling water and the air stream) sounds. The monoctone itself is not a necessary element in the piece. I can imagine the use of other device to control the triggering and processing of sounds - a computer, for instance. It would be interesting also to perform part of monoctone by an acoustic instrument or even group of instruments. The means used in the piece are reflected in the shape of the score. While the organ part is mostly based on the traditional notation, the monoctone part is written entirely graphically.

-------------------------

First performance
Olsztyn Organ Concerts
August 30, 2015, Olsztyn

monoctone Jarek Kordaczuk
organy Anna Dramowicz