Strumenti della Passione // Arte dei Suonatori - Jarek Kordaczuk
Contemporary Passion performed by early music orchestra, soloists, period instruments, baroque violin, flutes, baroque oboe, baroque bassoon - Arte dei Suonatori, solo voices: soprano, alto, tenor, bass / baritone. Early music and contemporary music. Modern use of period instruments. Period instruments in contemporary music. Contemporary music on baroque instruments. The combination of Baroque instruments and electronics. The Baroque practice regulations on the basis of contemporary music. Passion and death of Jesus Christ - Passion in music. The suffering of Jesus Christ - Passion tools, Arma Christi. Musical Passion. Religious music. Secular music. Sacrum and profanum in music. Acoustic and electronic instruments. Monoctone. Live processing of acoustic instruments. Lance - duo for bass and violin solo modulated by monoctone. Modulating the sounds of acoustic instruments. Monoctone control modular synthesizer. Ring modulation. Amplification of period instruments, early instruments. A vocal-instrumental music with electronics. Electroacoustic instruments and electroacoustic sound processing. Score for orchestra. Orchestral stuff. Modular synthesizer controlled by monoctone. Instruments of the Passion.

Strumenti della Passione Strumenti della Passione for baroque consort, soloists, percussion and electronics Commission: Arte dei Suonatori Passion Strumenti della Passionefor baroque consort, soloists, percussion and electronics From the premiere program book: Passion told in other words. Passion told by objects. Passion as the Arma Christi in musical projections. Titles of the various parts are the names of the objects that appear in the context of the Passion of Jesus Christ. Some of them, like The Crown of Thorns, Dice or Spear, appear explicitly in Evangelists text. Others, like Veronica's Veil, became the witness of the Passion through the cultural process. The importance of some, like Cross, is indisputable. Others, like Sponge, stay commonly almost unnoticed. Fourteen of these objects/instruments determines the macroform of the work through the object-movement relation. But also Latin, Greek and Hebrew versions of the names are included in the microformal structures and serve as the substance of the word layer correspondsing to them part of the work.Strumenti della Passione was commisioned by Arte dei Suonatori. Typical baroque consort was significantly expaded. The composer involved not only strings, hapsichords and lute but also four soloists (SATB), baroque wind instruments and contemporary (also ethnic) percussion... and electronics as well. The latter is present in three forms: as a tool of processing acoustic instruments (including human voice), as a source of synthetic sounds of the computer orgin and as monoctone - electronic instrument based on analog sensor of position, force pressure and air pressure, controling analog modular synthesizer. While the polarization: baroque instruments - new sound generation technologies is automatically inevitable, the relation between the preformance idiom characteristic for the baroque consort and the contemporary musical aesthetics arises exclusively with the here and now of the Arte dei Suonatori orchestra implementing the composer's plan.     Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego w ramach programu "Kolekcje" - priorytet "Zamówienia kompozytorskie", realizowanego przez Instytut Muzyki i Tańca Piece Strumenti della Passione 1. Crossłac. crux gr. σταυρός (stavros)  hebr. צלב (claw) → on which Jesus was crucified;2. Ladderłac. climacis gr. κλίμακα (klimaka) hebr. סולם (sulam) → used to take Jesus' body off the cross; 3. Whip and Rods łac. clades et virgae gr. μαστίγιο και ράβδο (mastigio kai rawdo)  hebr. שוט ופרגול (szot u-fargol) → used for whipping; 4. Veil of Veronicałac. Veronica gr. εικόνα Χριστί (ikona Christi) hebr. מטפחת ורוניקה (mitpachat Weronika) → wich the woman wiped Jesus' face with; 5. Roosterłac. gallus gr. κόκορας (kokoras) hebr. תרנגול (tarnegol) → which crowed after denying Peter three times; 6. Lancełac. spiculum gr. δόρυ (dori) hebr. רומח (romach) → used by the soldier to cause the last of the Five Wounds; 7. Pincersłac. forceps gr. πένσα (pensa) hebr. מצבטיים (micbatajim) → used to remove nails while taking Jesus off the Cross; 8. Crown of Thornłac. corona spinea gr. κορώνα αγκάθι (korona anathi) hebr. עטרת קוצים (ateret kocim) → braided by soldiers and put on Jesus' head; 9. Purple Robełac. paludamentum gr. λογή (loghi) hebr. מעיל ארגמן (me?il argaman) → put on to humilated Jesus; 10. INRI łac. Iesus Nazarenus Rex Iudaeorum gr. Ἰησοῦς ὁ Ναζωραῖος ὁ Bασιλεὺς τῶν Ἰουδαίων (Iesous ho Nazoraios ho Basileus ton Ioudaion) hebr. ישוע הנוצרי מלך היהודים (Jeszua ha-Nocri Melech ha-Jehudim) → description Jesus of Nazareth, King of the Jews in three languages; 11. Spongełac. spognia gr. σφουγγάρι (sfugari) hebr. ספוג (sfog) → dipped in vinegar and offered to Jesus; 12. Dicełac. alea gr. ζάρια (ksaria) hebr. קוביות משחק (kubijot mischak) → that soldiers threw to get Jesus' clothes; 13. Hammer Nailsłac. martellus et claves gr. σφυρί και καρφιά (sfyri kai karfia) hebr. פטיש ומסמרים (patisz u-masmerim) → used for nailing Jesus to the cross; 14. Eclipsełac. sol obscuratus gr. σκοτεινός ήλιος (skoteinos ilios) hebr. ליקוי חמה (likuj chama) → darkness that covered the Earth while Jesus was crucified.     Co-financed by the Minister of Culture and National Heritage within The Collections programme - the Composers Commisions Priority, carried out by the Music and Dance Institute. Premiere Strumenti della Passione - premiere The Witold Lutosławski Concert Studio of Polish Radio, 13 April 2014. Arte dei Suonatori OrchestraJarosław Kordaczuk - conductorVocal Consort Sylwia Olszyńska - sopranoWiktoria Zawistowska - mezzosopranoPaweł Brożek - tenorPaweł Konik - bassArte dei Suonatori Orchestraviolin: Aureliusz GolińskiEwa GolińskaAlison Luthmers-TeyssierAnna Nowak-PokrzywińskaJudyta TupczyńskaViola: Ewa Guzowskacello: Maciej Łukaszukdouble bass: Szymon Guzowskiorganum/harpsichord: Joanna Boślak-Górnioklute: Jan Cizmarflutes: Bolette Roedoboe: Jasu Moisiobassoon: Inga Maria Klauckemonoctone: Jarosław Kordaczukpercussion: Miłosz Pękalaelectronics: Michał Rypień   Strumenti della Passione, The Witold Lutosławski Concert Studio of Polish Radio, 2014, photo. Agnieszka Markowicz.     Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego w ramach programu "Kolekcje" - priorytet "Zamówienia kompozytorskie", realizowanego przez Instytut Muzyki i Tańca Sonokinetic Incident Factory Izabela Kościesza Sonokinetic works Małgosia Wawruk Sensor matrix Experimental music Installations Coral music Solo pieces Improvised music Acousmatic music Electronic Music Monoctone Pieces for children Jarek Kordaczuk mp3 Dark Energy Agnieszka Kołodyńska Pantomime Electroacoustic music Vocal-instrumental music Instrumental Music Musical interpretations of fairy tales Compositions Adam Smoczyński Sacred Music EWI ProForma Theatrical music Jan Brzechwa Julian Tuwim Sebastian Wypych Poetic song Sung poetry Jarosław Kordaczuk Arrangements Videoclips Animations Titelituralia Onomatopeic compositions Theatre of Sound A Room Full of Fairy Tales Children's Art Centre Cezary Konrad Krzysztof Herdzin Basia Raduszkiewicz Music for children